My first introduction into the world of film music was with the movie Braveheart. I was in middle school when I was introduced to it, but that movie moved me so, and it was its music that did it. Horner said that Mel Gibson, the director of Braveheart, gave him free reign without any specific direction. This practice is unheard of, even among frequent collaborators Steven Spielberg and John Williams or Robert Zemeckis and Alan Silvestri. The result of the unbridled collaboration was what I consider to be the greatest film score of all time. I dare you to listen to the End Credits track and not be moved.
Horner and Cameron |
Like many of his collaborators, Horner got his start working with B movie director, Roger Corman. However, his first big break was with An American Tail, which garnered him his first Oscar nomination. He also scored some other fairly high profile movies of the 80's, such as Krull, Willow, Star Trek III: The Search for Spock, The Land Before Time, Cocoon, Aliens, and Field of Dreams.
In the 90's he continued his success with Fievel Goes West, Jumanji, Casper, and many others. In 1995, he garnered critical and Academy fame with Apollo 13 and Braveheart. He didn't win a statue for either (which is one of the greatest blunders in Academy history, IMO), however he did win two Oscars two years later for his work on Titanic.
Ron Howard with Horner |
One gem that I encourage you to listen to that is often overlooked is 2010's The Karate Kid. The music is deeply moving for me.
I love music deeply, to the point that I wanted to do it for a living; I even studied music in college for a number of years; and no single person influenced that direction in my life more than James Horner. I 'feel' more because of his work. His music has helped me out of some dark places and helped me feel joy when I thought it wasn't possible. I raise my glass to him. May he rest in peace. I close with a tune from Braveheart that is played during the mourning of William Wallace's father.